Tattoo Artist Needed

A tattoo artist designs and applies images to people’s skin using indelible inks.

Tattoos have existed in human culture since time immemorial. Before the introduction of the written word, the ancient peoples of Europe painted themselves and their surroundings with ornate designs. Likewise aboriginal peoples all over the world continue to use a variety of natural materials to indelibly mark themselves. In doing so they delineate heritage, authority, achievements and a myriad of other concepts.

Modern day tattoos and indeed the word itself are inspired by the Polynesian word for inserting indelible ink onto the skin to make permanent markings, ‘tatu’. Eighteenth century sailors were the first to come into contact with this culture, popularised it and so became inextricably associated with the practice. Today, tattoos are at an apex of popularity, with many celebrities, artists and musicians sporting impressive designs. Once a subject of taboo, this alternative culture has become more mainstream and tattooing is increasingly regulated, creative and popular.


Salary

Many tattoo artists are self-employed and salaries vary widely depending on the amount of trade they receive. Summer months are traditionally the busiest.

    A trainee tattoo artist starts on around £12,000 per annum.
    An experienced tattoo artist may earn between £18,000 and £30,000 per annum.
    A tattoo artist owning his own business and employing others can earn in excess of £50,000 per annum.

Responsibilities

Cook Islands Tattoos

Cook Islands tribes or clans each usually recognized a particular fish, bird, insect or plant that was sacred to that tribe and symbolized its unity. The ritual association requires members of the clan to treat the totem with respect. Its supernatural help could also be sought in times of distress. To the left is the symbol for the centipede with a poisonous bite is a common totem of chiefs and is normally tattooed on the chief's back. Normally, the totem represented one clan's affiliation while they can also show one's specific role as ariki or otherwise within the clan. While body decoration has been a phenomenon of many societies, the art of tattooing engraving the skin - reached its zenith in Polynesian societies, particularly New Zealand and the Marquesas.

 Few cultures exhibited such adornment for all to see. the prevalence of the tattoo has been attributed in part, to the relatively warm climate in which the Polynesians lived and to their light skin. the relief of the tattoo is less impressive on dark skin. that may explain why face painting was more prevalent amongst Pacific people with darker skins. In the warm climes that the Polynesians inhabited, clothing was traditionally sparse and consequently bodily tattoos were always on display. the cooler New Zealand climate may explain, at least in part, why the face moko developed of its highest level in that country. The word Their distinctive tattoos may have been the defining emblem of Maori people, but the precise origin word itself =- tattoo - remains unclear. It is generally accepted that the English word derived from the Polynesian tatau but the Shorter Oxford English Dictionary of Historical Principles says tattoo was adopted into English in the mid 1600s (i.e. before any English contact with Polynesia) with meanings including to tap, to strike, to thump and to beat a drum. cook recorded tatau as the Tahitian term when he arrived there in 1769, so it is possible that it came into English through another Austronesian language - most likely Malay - with which the English were in contact much earlier. Some have speculated the art is called tatau because it also means 'to read', but reading was not introduced until the 1820s. The tattoo was not only a source of decoration, but often recorded a man's tribal affiliations, lineage and achievements. The inflection of the word when spoken differs depending on whether one is talking about reading or tattooing, suggesting the link between the two words may be coincidental. both Te Rangi Hiroa' and Gotz claim 'tatau' comes from the word 'ta', meaning to strike, thus tatau is the result of this tapping process. Tatau is not the only word for this art form. In some French Polyensian islands and some Cook Islands it was known as nana'o.

About The Origin Of Water Tattoo

It is a widely held view that the art of tattoo originated from Polynesia and is derived from the Polynesian word "Ta-tau" which means "to strike a mark". The practice is part of a cultural tradition typically applied to coincide with ceremonies of the time. tattoos were applied using a variety of tools. The most common being a comb like utensil made from wood or bone with numerous sharp needles. The process of applying a tattoo to the body includes coating the sharpened needle with a pigment (usually from the ashes of a fire) which is then mixed with water or oil.
The needle is then tapped to pierce the skin which is then impregnated with the pigment, leaving a permanent mark. This was, and still is, a painful experience for the recipient. Most of the early Polynesian designs consisted of rectangles, lines and triangles all joined together. It is not clear why these designs were chosen but many speculate that it could be symbolic of the sails used on sailing craft of the time.

This will have been a common sight in the islands at the time. The more detailed designs were typically used for more important people in society and were applied by master craftsmen. Many cultures around the world have since adopted the practice of tattoo art. English sailors that visited the region adopted the practice. Initially they used simple designs and over time more sophisticated designs began to appear. In many cases these reflected the life or the environment of a sailor at sea; for example palm trees, mermaids, waves and islands. Apparently they exchanged ideas with Polynesians at the time and consequently there was a cross-fertilisation of ideas. Early sailors used gunpowder as the dye.

Some cultures preferred to tattoo only certain parts of the body and these were often different for men and women. For example, Maori women would tattoo their chin and lips while the men would sometimes cover their whole face. Hawaiians would tattoo opposing parts of the body, for example they might tattoo the left shoulder and the right thigh. In Tahiti, men typically cover their thighs and buttocks with tattoo designs while women paint their arms, legs and upper bodies. Apart from the early use of tattoo by the Celts, Europeans did not adopt the art widely. t would seem that early designs were heavily influenced by sailors and their environment. his is perhaps why water tattoos are so popular. hey have a strong heritage in the art and water is a pure, fresh and refreshing image. he Polynesians are a sea faring people and their art would have also been heavily influenced by the sea. s discussed before, the lines and shapes seem to depict sailing vessels at sea. Today the art is mainstream. ody art has become common place and there are numerous designs for almost anything you can imagine. f course more recently, the introduction of colour has added a new dimension to the art. n early days of European tattooing it was mainly males that had tattoos. oday females are adopting the art readily and their needs are bringing a new dimension to the art.

About tattoos

“You may lose your most valuable property through misfortune in various ways. You may lose your house, your wife and other treasures. But of your moko, you cannot be deprived except by death. It will be your ornament and companion until your last day.” ~Netana Whakaari. Tattoos have many names such as moko in Maori, tatouage in French or horimono in Japanese. The concept of creating images and permanently burning, scarring, or inking onto one’s body is older than most civilizations. Records show that one of the oldest tattoos discovered belongs to a mummy found in 1991. This mummy was carbon-dated and found to be over 5000 years old from the Bronze Age. The popularity of tattoos can be traced into ancient Egypt around 2000 BC where wall paintings have indicated the use of tattoos in Egyptian society. Jumping forward into a more recent era such as the 18th Century, and find the Edo period in Japan. Japanese also have their type of traditional tattooing, horimono. Progressing forward you finally arrive in the present day where there is a new movement termed new school. New school is an amalgamation of techniques and artistry concepts rolled into one tattoo artist. While there are many artists around the country that can be seen as great or creative, however, focus will be given to a local artist who is paving the way for many new generations of tattoo artists through his use of new school techniques. 2 Libra, one of the more popular tattoo artists around the state, began his career in popular tattoo shops such as 808 Tattoo and Gunpoint Tattoo. Being schooled by such legends as Billy Whitney, Zeke Owens, and Josh Reed, Libra began “a natural progression through urban art through the influence of every mural and painting in the world of tattooing.” (Libra, par. 1) With his career progressing fast and absorbing much knowledge he began to change his style of tattooing. New school tattooing “refers to tattoos that are bold, bright and in-your-face.

Tattoos in antiquity

The reasons for which one might tattoo his body are varied. Currently, the most
popular explanation is decoration. The tattoos themselves come in a myriad of different
forms, colors, and subjects. These may range from religious icons to a portrait of a
favorite pet. Since there is a certain bond among those who are tattooed, group
identification may be a major motivation for tattooing. As a testament to this fact, prison
tattoos are widely practiced as a method by which convicts associate themselves publicly
with a gang. Tattoos bind outcasts together, partially because the practice is still regarded
as socially unacceptable.
This same social disapproval was present in Greco-Roman times. Authors such
as Herodotus, Xenophon, and Lysias describe tribes outside their personal social confines
as employing tattoos to their fullest extent, in the form of full-body suits. These authors
always express surprise that tattoos denoted high social status in these other societies.

Oceania Tattoos

The tattoos of Oceania have their origins in antiquity, their designs in mythology and are a reflection of the social status of the wearer. The Maori legend states that tattoo was created by Ruaumoko, the god of earthquake, as a memorial to his despair and awe at the separation of his father Ranginui, the god of the sky, and his mother Papatuanuku, the god of the earth. Uetonga, the grandson of Ruaumoko and Hine nui te Po, the goddess of the underworld was a master tattooist and of a pale skinned and fair haired peopel known as the turehu.

The legend goes that Mataora, a handsome young chief, met and fell in love with Niwareka, daughter of Uetonga. Mataora persuaded Niwareka to live with him but one day he hit her. She left him and returned to the underworld. Mataora, grief struck by what he had done, followed. In his travels he met Uetonga who was carving the face of a chief with tools - blood was flowing from the incisions. Mataora's face was painted with ochre and Uetonga told him that such a tattoo was only fit for wood - he smudged the tattoo on Mataora's face. Mataora then asked that his face be tattooed. Although Mataora's face was so swollen, he had to be fed and could only drink through a funnel, words spread that he was a handsome man - made more handsome by his tattoos. Niwareka came to see and discovered that the man was her lover.

Tattoos and amazing quotes

Beautiful quotes for tattoos and inspirational tattoo quotes.
Amazing tattoo quotes and inspirational quotes for you to browse, enjoy, and share with your friends.